A remote-controlled car with a black and tan design and branding, parked on gravel ground in front of stacked shipping containers.

SHOCK ABSORBER

Built for the bold

Our reinforced post mount system is designed to handle the most demanding camera setups with flawless stability and control. Whether mounted to the front or rear of a chase vehicle, its adaptable design offers multiple configurations and lengths for any terrain or setup. It’s also the perfect foundation for complex multi-camera array systems, delivering absolute precision across every lens. From high-speed runs through city tunnels to off-road chaos in the wilderness, this rig keeps your shot locked, smooth, and steady, no matter how wild the scene gets.

SPECIFICATION

  • Stabilization : PAN / TILT

  • Max Payload: 80Kg to 120Kg (depending on the height)

  • Pan Axis : 360°

  • Pan Speed: 360° in 4.5 seconds (FLIGH HEAD)

  • Tilt Axis: 45°

  • Temp Range: -20°c / -50°c​

POWER REQUIREMENTS

  • 32-48V DC

    Standby: 1A

    Dynamic Max: 30A

HIGHLIGHTS

  • Rapid on-set transformation easily reconfigured into multiple lengths in seconds.

  • Available as a fixed-length or telescopic arm for maximum versatility.

  • High-torque design delivers dynamic, smooth, and razor-precise performance.

  • Intuitive, responsive controls put precision in the operator’s hands.

  • Adjustable limits, speed, and damping for total motion control.

  • Custom operator presets ensure consistent performance on every setup.

A black and beige Polaris Slingshot three-wheeled vehicle with a roll cage, parked on an asphalt surface in front of stacked shipping containers.
A partially built sports car with a camera rig attached to the front, situated outdoors near shipping containers.
Film crew setting up equipment on a snowy residential street with houses, a bicycle, and several people wearing masks.
A film crew setting up camera equipment on a gray car in a residential neighborhood with snow on the ground, brick and siding houses in the background.
Person sits in a small black utility vehicle with camera and equipment mounted on an extendable arm, in a parking lot with parked cars and a brick building with tree-lined background.
Film crew setting up equipment on a residential street with parked cars, trees, and houses in the background.
A snow-covered landscape with a robotic camera crane mounted on a tracked vehicle, with a forest of leafless trees in the background and the sun shining near the horizon.
A snow grooming machine, parked on a snowy trail, with a snow-covered forest in the background.
A snowmobile with professional camera equipment mounted on it, situated in a snowy landscape with trees and a partly cloudy sky in the background.
RAPID FILMWORKS LOGO

  • From the frozen streets of Winnipeg to the raw coasts of Newfoundland and Labrador, with command centers in Toronto and Montreal, this is our territory. But the road doesn’t end here. When the call comes, we roll out anywhere on Earth. No borders. No limits.

  • Explosive car chases, sweeping cityscapes, brutal off-road terrain, or sleek studio work, we thrive where precision meets chaos. From Hollywood blockbusters to local Canadian legends, if your vision pushes the limits, we’re the crew that makes it real.

  • Not even close. We’re not in the rental business, we’re in the impossible business. At the top of our game, recognized worldwide, we bring machines and mastery together to engineer shots others wouldn’t dare attempt.

  • An arsenal built for cinematic warfare: the legendary U-CRANE, the Technoscope, the Flight Head systems, the largest and most powerful fleet in Canada. Whether tearing down racetracks, gliding through city streets, or dominating extreme landscapes, we have the firepower to capture it all.

  • Always. Behind every machine is an elite crew, precision drivers, engineers, operators, and technicians, battle-tested and ready. We don’t just bring equipment; we bring the warriors who know how to unleash it.